Being identified early as exceptionally gifted can create a specific, counterintuitive vulnerability: a fear of any struggle or failure that might disprove the label, since the gift has become central to identity. Rather than freeing someone to take risks, the "gifted" label can paralyze exactly the kind of exploratory struggle that genuine skill development requires, because any visible difficulty now threatens the identity the label built.
Recovery from this trap, when it happens, tends to follow a consistent pattern: giving oneself explicit permission to struggle and improve rather than needing to appear flawless at every moment — replacing the fixed-mindset question ("does this prove I'm not actually gifted?") with the growth-mindset question ("what does this particular difficulty tell me to work on?").
Violinist Nadja Salerno-Sonnenberg was a celebrated child prodigy, but as she grew older she became increasingly terrified of failing to live up to her 'gifted' label, to the point that her actual playing suffered and she came close to quitting entirely. Her eventual recovery, as Dweck describes it, came from giving herself explicit permission to struggle and improve rather than needing every performance to prove she was still the flawless prodigy — a shift that allowed her to rebuild her career on a fundamentally different foundation than the one that had nearly ended it.